![]() ![]() This champion of the individual imagination lived most of his life in the English Lake District. I mean, he really loved Nature (capital N!). William Wordsworth championed the Romantic rebellion in English verse because he loved nature. Through all the long green fields has spread.Īnd hark ! how blithe the throstle sings! Up ! up ! my friend, and quit your books, Up ! up ! my friend, and clear your looks. ![]() Have you ever chafed at a classroom expectation that you read ponderous texts written long ago by dead wizards who make no sense to you? (I mean, not in this class, right?) If so, you may appreciate a poetic dialogue in which William Wordsworth’s Persona responds to a friend who had been chiding him about wasting too much time exploring the woods and failing to devote enough time to study. Nature, Folk Experience, and the Imagination: William Wordsworth Creative imagination Romantic views of art, which replaced “mechanical” rules of conventional form with an “organic” principle of natural growth ( Romanticism ). … Romantic writers … showed a new interest in the irrational realms of dream and delirium or of folk superstition and legend. … The restrained balance valued in 18th-century culture was abandoned in favor of emotional intensity, … horror, melancholy, or sentimentality. … Rejecting the ordered rationality of the Enlightenment as mechanical, impersonal, and artificial, the Romantics turned to the emotional directness of personal experience and … the individual imagination. … Its chief emphasis was freedom of individual self-expression: sincerity, spontaneity, and originality new standards … replacing the imitation of classical models. During the late 18th and early 19th Centuries, artists and thinkers began to push back against the idea that wisdom is to be found solely in reason and tradition.Ī sweeping … profound shift in Western attitudes to art and human creativity that dominated much of European culture. You may be surprised to hear that the Romantic Era formulated core cultural orientations that dominate contemporary Western society even today. Of course, strict rules lead to rebellion. Arts throve insofar as they followed rules and affirmed the new versions of classical society. Oil on canvas.ĭuring this Neo-Classical age, traditional social and aesthetic rules strictly governed social behavior and provided standards of assessment. In Paris, Edinburgh, and other cities, classical models guided the purposeful re-organization of city streets and architecture. In the English colonies of North America, revolutionaries drew on these theories to justify the radical idea of human rights. Political philosophers in France, England, Scotland, and Germany analyzed the structure and ethics of states and government. In Britain, Sir Isaac Newton applied mathematical rigor to the study of the cosmos, and Adam Smith invented economics to analyze the function of financial markets. ![]() In this age, empirical science staked its claim to authority. The era celebrated Reason as the highest of human virtues, and sought to bring its order to bear on nature and on society. Age of Neo-classical ReasonĪfter nearly two centuries of social chaos and bloodshed triggered by the protestant Reformation, European culture in the 18th Century embraced a vision of restraint that is often called the Enlightenment. But in cultural history, High Romanticism was more, a rebellion against Classicism. (We should also note the phrase Romance languages, a term that refers to languages descended from Latin.) In English, the word romance denotes passionate love and romantic designates conditions leading to it. In several European languages, a romance is a prose narrative, that is, a novel. ![]()
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